An ASR Theater Review — Raven Players’ “Fully Committed” Overlong But Still Funny — by Barry Willis

A day in the life of a harried scheduling manager makes for some uproarious comedy in “Fully Committed,” at the Raven Performing Arts Theater in downtown Healdsburg, through October 17.

The telephone equivalent of a slamming-door farce, the production requires its lone onstage talent to dash from one telephone to the next—three internal lines at opposite ends of the wide stage, and two or three on his desk. Plus his personal cell phone. It’s a lot to keep track of, especially when they ring in rapid succession or in unison.

…a delightful show…

Troy Thomas Evans plays the roles of everyone working in a trendy New York restaurant—chef, maitre d’, front-of-house staff, and an absent co-worker, plus his own father, and dozens of pesky would-be patrons who refuse to take “I’m sorry—we’re fully committed” as an answer when they try to make reservations. Evans is energetic and convincing as Sam, a hopeful young actor trying to land a gig at Lincoln Center, and to arrange time off to spend the Christmas holiday with his family.

Troy Thomas Evans at work as Sam – photo by Ray Mabry

He conveys all of this effectively; some of his characters (Bunny VanDerveer, Bryce from Gwyneth Paltrow’s office, the dreaded Ned Finley) are outrageous while others are merely amusing. His performance is hampered by the need to scramble from one side of the stage to the other, because director Tika Moon insisted on using the entirety of the wide stage as the restaurant’s basement office, a space that in the real world would be almost unbearably cramped, the way other productions’ set designs usually have it.

Net result: this “Fully Committed” runs more than two hours —no intermission— vs. a typical production’s 90 minutes. It’s still a delightful show earning Evans a big thumbs-up as a comedic performer. Plus it’s great that live theater has returned to downtown Healdsburg, which was bustling on opening night. The October 16 production will also be livestreamed.

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ASR Nor Cal Edition Executive Editor Barry Willis is a member of the American Theatre Critics Association and president of the SF Bay Area Theatre Critics Circle. Contact: barry.m.willis@gmail.com

 

ProductionFully Committed
Production DatesThrough October 17th, 2021
Production AddressRaven Theater Healdsburg

115 North Street Healdsburg, CA 95448
Websitehttp://www.RavenPlayers.org
Telephone707-433-6335
Tickets$10-$25
Reviewer ScoreMax in each category is 5/5
Overall3.5/5
Performance3.5/5
Script4/5
Stagecraft3/5
Aisle Seat Review Pick?----

An Aisle Seat Theater Review! Uproarious, Upbeat “Shrek, The Musical” at Raven Theater – by Nicole Singley

Shrek: The Musical at Raven Theater

Based on the popular animated DreamWorks movie and book by William Steig, “Shrek, The Musical” is foot-tapping fun for the whole family, with enough adult humor in the mix to satisfy audiences of all ages. At Healdsburg’s Raven Theater through July 8th, this adventurous tale packs in a score of catchy tunes, outrageous laughs, and, of course, a happy and heartwarming ending to top it all off.

Our unlikely but lovable hero, Shrek (Caleb Daniel Noal), is a curmudgeonly ogre who keeps to himself in the solitude of his swamp. That is until a crowd of fairytale characters comes knocking seeking refuge on his land. The evil Lord Farquaad – large in ego, small in stature, and played brilliantly by Bill Garcia – has issued them an ominous eviction notice from the neighboring kingdom of Duloc, and they have nowhere else to go.

A feast for the eyes and ears…

With the unwanted help of a talkative donkey he meets along the way (the hilarious Troy Thomas Evans), Shrek sets out to Duloc and strikes a deal with Lord Farquaad to reclaim his swamp. He must rescue Princess Fiona (Kelly Hitman) from a dragon-guarded tower and escort her to the castle, where Farquaad hopes to make her his bride. Things are on course until a shocking secret threatens to derail our hero’s journey, reminding us that “beautiful ain’t always pretty,” and proving sometimes life surprises us with endings far happier than anything we could have planned.

A feast for the eyes and ears, “Shrek” features entertaining choreography by Katie Watts-Whitaker and an ensemble of talented singers, all accompanied by a live eight-piece chamber orchestra. Standout vocal performances by the vivacious Hitman and enthusiastic Evans are made all the more enjoyable by the physicality of their acting. Fiona’s facial expressions and Donkey’s body language often communicate as much or more than their lines and lyrics.

Evans Noal and Hitman in Shrek:The Musical

Noal nails the characteristic accent movie fans will remember, but he is hard to hear at times. His Shrek feels a bit muted and unenergetic; a more dynamic performance with increased physicality might help to convey more emotion. Audiences may feel inclined to cut him some slack, however, for the evident limitations of his cumbersome garb.

The artistic team and crew at Raven Theater have brought this feel-good show to life with a host of elaborate costumes (Jeanine Grey and Robert Zelenka), spectacular make-up (Tara Kelly Ryan), and clever props (Kerry Duvall). Highlights include a singing dragon (designed and fabricated by Michael Mingoia and puppeteered by Eric Yanez) and a sassy gingerbread cookie (voiced and puppeteered by Stephanie Beard).

Garcia has designed and fabricated his own ingenious masking, adding much to the tear-inducing hilarity of his turn as the altitude-challenged Lord Farquaad. The show is worth seeing for his performance alone, thanks to a handful of laugh-out-loud moments that just might bring you to your knees. (Pun intended, for those who’ve seen it.)

Nicole Singley is a Contributor to Aisle Seat Review.

 

 

 

ProductionShrek: The Musical
Written byJeanine Tesori and David Lindsay-Abaire
Directed byKerry Duvall
Producing CompanyRaven Theater
Production DatesThru July 8th
Production AddressRaven Theater Healdsburg
115 North Street
Healdsburg, CA 95448
Websitehttp://www.raventheater.org
Telephone707-433-6335
TicketsSee website
Reviewer ScoreMax in each category is 5/5
Overall3.5/5
Performance3.5/5
Script3.5/5
Stagecraft3.5/5

ASR Theater Review! Refreshing “Water by the Spoonful” at Raven Performing Arts Theater – by Nicole Singley

Playing through May 13th at Healdsburg’s Raven Performing Arts Theater, Pulitzer Prize-winning “Water by the Spoonful” is a complex and heartfelt exploration of poor choices and personal trauma, the difficult road to recovery, and the unlikely lifelines that help keep us afloat.

Elliot (Bill Garcia) is an Iraq War veteran and aspiring actor, reduced to making Subway sandwiches while caring for the ailing aunt who raised him. Carrying the scars of a troubled childhood and his time in Iraq, he is haunted by agonizing guilt, devastating loss, and the grudge he harbors against his mother. We gather shocking pieces of his past throughout the show. Garcia is believable as Elliot, and his energy is complemented by the talented Serena Elize Flores as cousin Yazmin.

Elliot’s mother Odessa (played effectively by Athena Gundlach) is a recovering crack addict who runs an Internet chat room for others battling addiction. “Haikumom,” as she’s known online, devotes the majority of her time to helping chat-room regulars “Orangutan” (Hande Gokbas) and “Chutes&Ladders” (Nicholas James Augusta) in their daily struggles to stay clean. Though largely isolated from her family and the outside world, Odessa finds redeeming purpose and connection in her virtual haven. But when Elliot comes home to confront the skeletons in his family’s closet, her fragile peace is threatened.

The performers are capable and well cast, and a few scenes into opening night, began to really find their groove. Matt Farrell feels natural in the role of self-centered chat-room newcomer “Fountainhead,” slowly coming to terms with the truth of his addiction. Gokbas is endearing as “Orangutan,” her passion and determination to move forward a much-needed boon to “Chutes&Ladders” as he wrestles with the fear of shaking up his safe routine. The evolution of their relationship from virtual to actual is both moving and uplifting.

A minimalistic set puts our focus on the actors and leaves much to the imagination. Clever projections illuminate to indicate when chat room members are online. The venue adds a fitting element of openness and vulnerability, enhancing the show’s emotional impact without keeping the audience at too great a distance.

Quiara Alegría Hudes has written a story about broken people, and the humanity with which she’s brought each character to life is evident under Steven David Martin’s compassionate direction. While the ending she has given us is not exactly happy, it is hopeful.

“Water by the Spoonful” challenges us to find the courage to face our own demons and the strength to do better. Redemption and atonement, it suggests, are made possible by the powers of forgiveness and human connection.

Nicole Singley is a Contributor to Aisle Seat Review.

 

“Water by the Spoonful” by Quiara Alegría Hudes

Raven Performing Arts Theater, 15 North St, Healdsburg, CA 95448

Through May 13, 2018

Tickets: $10-$25

Info: (707) 433-6335, www.raventheater.org

Recommended for mature audiences

Rating: 4 out of 5 Stars

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