By Barry Willis
A spunky teenager brings social justice to 1962 Baltimore in the uproarious comic musical Hairspray, at San Francisco’s Orpheum Theater through April 21.
Directed by Matt Lenz, with choreography by Robbie Roby, the national touring production is the most recent incarnation of John Waters’ iconic 1988 film starring Ricki Lake as the irrepressible Tracy Turnblad, a chunky girl auditioning for a spot on The Corny Collins Show, a Baltimore teen music-and-dance show.
… the huge cast are all simply tremendous. …
Her ambition grows from merely personal to societal when she pushes for inclusion of the black community, much to the dismay of her rival Amber Von Tussle and Amber’s manipulative mother Velma. In her efforts to do the right thing, Tracy runs afoul of local police and even the governor of Maryland, but emerges victorious.
Social justice issues are often served best by comedy and humor. Likewise, bigots and oppressors are often best skewered the same way. Hairspray spares none of them in a two-and-a-half-hour kitsch extravaganza spoofing all that was both serious and ridiculous in the early 1960s.
The Orpheum production is swollen to bursting with world-class talent, starring Caroline Eiseman as Tracy, Andrew Scoggin as Corny Collins, Caroline Portner as Amber, Sarah Hayes as Velma, Skyler Sheilds as heartthrob crooner Link Larkin, Greg Kalafatas as Tracy’s mother Edna, Ralph Prentice Daniel as Tracy’s goofy dad Wilbur, Scarlett Jacques as Tracy’s best friend Penny Pingleton, and Josiah Rogers as Seaweed J. Stubbs. Diedre Lang astounds as Motormouth Maybelle, especially in her breakout solo song, and Micah Sauvageau is a comedic delight in multiple roles. Let’s not overlook soul-sister song-and-dance trio “The Dynamites” – Ashia Collins, Leiah Lewis, and Kynnedi Moryae Porter.
The huge cast are all simply tremendous. So are sumptuous quick-change set designs, immersive projections, dazzling costumes, and the rock-solid band (music director Lizzie Webb) in the orchestra pit. The show couldn’t be more appropriate for San Francisco, whose eager fans on opening night loudly applauded every scene and gave the whole affair an extended standing ovation.
Deservedly so. Hairspray is an absolute joy.
-30-
Aisle Seat Review NorCal Executive Editor Barry Willis is a member of the American Theatre Critics Association and president of the SF Bay Area Theatre Critics Circle. Contact: barry.m.willis@gmail.com
| Production | Hairspray |
|---|---|
| Written By | John Waters |
| Directed by | Matt Lenz |
| Choreographed by | Robbie Roby |
| Producing Company | BroadwaySF |
| Production Dates | Through April 21st |
| Production Address | The Orpheum 1192 Market St, San Francisco, CA 94102 |
| Website | https://www.broadwaysf.com |
| Telephone | (888) 746-1799 |
| Tickets | $55-$161 |
| Reviewer Score | Max in each category is 5/5 |
| Overall | 4.75/5 |
| Performance | 4.75/5 |
| Script | 4.5/5 |
| Stagecraft | 4.5/5 |
| Aisle Seat Review PICK? | YES! |