An ASR Pick. | “Harry Potter” Comes Roaring Back to the Curran | Your reporter: Barry Willis

A two-year hiatus hasn’t diminished “Harry Potter and the Cursed Child,” which reopened at San Francisco’s Curran Theater February 24, after a two-week delay due to COVID—after a two-year delay due to COVID.

If anything, the production is more polished and more spectacular than during its aborted run late in December 2019. The new show combines the original’s separate Part One and Part Two in one mind-blowing three-hours-plus production.

Harry Potter (John Skelley) from the San Francisco production of Harry Potter and the Cursed Child. Photo credit: Matthew Murphy.

The February 24 opening night included a huge rowdy street party before the show with a presentation by San Francisco Mayor London Breed. There is clearly a pent-up desire for live theater among performers and audience alike. Nowhere was this clearer than this show’s opener, from the street party to the entire production. The new production is slated to run through August 31, and is certain to satisfy Potterites of every variety, who may have to horde their shekels to get tickets, ranging from $69 to $229. Discounts are available.

It’s the most spectacular and well-produced show that many of us will ever see…

“Harry Potter and the Cursed Child,” is pretty much a theatrical miracle. Prior to COVID, the large-capacity Curran (nearly 1,700 seats) was closed for a couple of years for massive renovations, only to have some of the new seating and carpeting removed to create a realistic refugee camp for “The Jungle.” Then it was redecorated again, with carpeting and fabric wall coverings embellished with the Hogwarts logo, only to be abruptly closed by the pandemic.

From the San Francisco production of Harry Potter and the Cursed Child. Photo credit: Matthew Murphy.

The new production is incredible, even for those not steeped in Potter lore. It packs in more theatrical illusions than any dozen blockbuster shows in Las Vegas, including characters that step out of seemingly solid walls, or seemingly solid walls that absorb characters the way a sponge draws water, characters that instantly morph into other characters, characters that vanish only to reappear swimming in the sky, characters that emerge and exit through a burning fireplace, ghostly spirits that hover above the audience, and graffiti that somehow appears throughout the theater’s huge ceiling, like a celestial pattern in an observatory.

(L-R) Ginny Potter (Angela Reed), Harry Potter (John Skelley), Professor McGonagall (Shannon Cochran), and Draco Malfoy (Lucas Hall) from the San Francisco production of Harry Potter and the Cursed Child. Photo credit: Matthew Murphy.

Then there’s the amazing choreography of swirling capes and their disappearing owners (Steven Hoggett, movement director). Performers are all first-rate, from the primary characters all the way down to the chorus. There appear to be approximately thirty members in the cast, plus many dozens of specialists in the technical crew.

It’s one whale of a group effort, an amazingly well-polished production on an enormous scale. The imposing set by Christine Jones is amazing both in its audacity and its versatility, subject to instant change despite its size.

Pictured (L–R): Ron Weasley (Steve O’Connell), Hermione Granger (Lily Mojekwu), Rose Granger-Weasley (Folami Williams), James Potter Jr. (William Bednar-Carter), Harry Potter (John Skelley), Ginny Potter (Angela Reed), and Albus Potter (Benjamin Papac) from the San Francisco production of Harry Potter and the Cursed Child. — Photo credit: Evan Zimmerman for MurphyMade.

The story by J.K.Rowling, Jack Thorne and John Tiffany (director of the show) has the now-adult Harry Potter (John Skelley) toiling away as a wizard in the Ministry of Magic, and about to send his son Albus (Benjamin Papac) off to school at his alma mater, where Albus meets Scorpius Malfoy (Jon Steiger), a boy his age who’s the son of dark lord Draco Malfoy (Lucas Hall).

The two of them form an uneasy but solid friendship and are soon continuing the struggle against the evil Lord Voldemort (Geoffrey Wade) and his offspring. Pivotal roles of Ginny Potter, Hermione Grainger, and Rose Grainger-Weasley are adroitly covered by Angela Reed, Lily Mojekwu, and Folami Williams, respectively. Mojekwu and Williams are especially convincing as mother and daughter.

It’s a wild adventure, but may be too much for very young children. There were no frightened cries from the audience on opening night, even though some of the malevolent spirits haunting the Curran are (youngster) pants-wetting scary.

Casual theatergoers not in the Potter camp would do well to read up on the mythology before the show—a brief synopsis of which is included in the playbill, as well as some fascinating background information that will appeal to hardcore fans.

As we stated when “Harry Potter and the Cursed Child” first landed in San Francisco, even those who don’t know Harry Potter from Harry Houdini will be astounded by this production. For true believers, it’s a religious experience. For everyone else, it’s simply the most spectacular and well-produced show that many of us will ever see.

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Aisle Seat Review NorCal Executive Editor Barry Willis is a member of the American Theatre Critics Association and president of the SF Bay Area Theatre Critics Circle. Contact: barry.m.willis@gmail.com

 

ProductionHarry Potter and the Cursed Child
Written byJ.K. Rowling, Jack Thorne, and John Tiffany
Music and Lyrics by Benj Pakek and Justin Paul
Directed byJohn Tiffany
Producing CompanyCurran Theater Co.
Production DatesThru August 31st
Production AddressCurran Theater
445 Geary St.
San Francisco, CA 94102
Websitehttps://sfcurran.com/
Telephone415.358.1220
Tickets$69-$229
Reviewer ScoreMax in each category is 5/5
Overall5/5
Performance5/5
Script5/5
Stagecraft5/5
Aisle Seat Review PICK?YES!