PICK! ASR Theater ~~ Cirque du Soleil Astounds with “Kooza” at PacBell Park

By Barry Willis

Miracles and madness are on full display with Cirque du Soleil’s Kooza at San Francisco’s PacBell Park through March 17.

The Montreal-based contemporary circus troupe’s first visit to the Bay Area since 2019 is a revelation in a huge tent outside PacBell Park. The Cirque complex actually occupies one large square block (“Lot 1”) on the edge of the bay, immediately across the street from Atwater’s.

Fans who arrive early can enjoy entertainment by wandering clowns, a pair of very well-balanced stilt-walking girls, and a wonderful four-piece band playing extended riffs on familiar jazz standards—“Sweet Georgia Brown” and “Caravan” among them. Another benefit to early arrival is ease of parking.

… There’s something for everyone in Cirque du Soleil’s Kooza …

The real show, of course, happens in the big tent. Formed decades ago with the intent of modernizing the circus, Cirque du Soleil has proven to be a worldwide success, with multiple touring shows, and two or three in constant production in Las Vegas. Many of the troupe’s acts have roots in traditional circus acts, but there are no animals. That was one of the founders’ intentions. Those with qualms about abused animals can set their misgivings aside. The only potential damage is to Cirque du Soleil performers.

“Silk” is a fierce character with the ability to fly, spin, and swing in all directions in “Zooza”. Picture copyright & courtesy of Cirque du Soleil.

All Cirque shows have a theme or through-line to tie diverse acts together. In Kooza, we meet a lackluster clown called “the Innocent” with an uncooperative kite, and another who’s a rowdy clown king with a missing crown and a couple of riotous sidekicks who continually prod the audience.

The search for the crown and its ultimate acquisition by the Innocent is all that connects this huge show’s opening and closing moments, but a through-line isn’t really needed. Every act is a mind-blower, from aerialists and contortionists to hand-balancers and high-flying acrobats. Even while watching in astonishment, viewers must ask themselves how anyone learns to do any of this. Where does one go to school to learn how to do a “five-man high” ???

Twin highwires crisscross diagonally at 15 and 25 feet above the stage in “Kooza”. Picture copyright & courtesy of Cirque du Soleil.

Ukrainian unicycle performers Dmytro Dudnyk and Anastasiia Shkandybina blow minds early in the show. Dudnyk rides about the circular stage, picking up his partner and putting her on his head—where she performs several balancing stunts as he continues peddling. She mounts and dismounts, he picks her up and sets her down, all without stopping or losing stability. It all looks so easy—and so impossible.

“Impossible” is the perfect description for just about everything that happens in Kooza. A Spanish/Columbian highwire act appears to have fatal potential, as does a solo performance with aerial silks by Japan’s Mizuki Shinagawa. A trio of ultra-lithe Mongolian girls contort themselves into positions that would send ordinary people to the emergency room. Solo artist Aruna Bataa, also Mongolian, takes the hula hoop into the stratosphere, spinning several of them at once—sometimes in opposite directions. Her closing bit makes a stack of silver hoops look like an oversize Slinky that completely encompasses her.

The “Wheel of Death”—a huge contraption with a spinning wheel at each end, in which actors walk, run, dance, and fly, both inside and out. Picture copyright & courtesy of Cirque du Soleil.

Perhaps the most astounding act of all is the “Wheel of Death”—a huge contraption with a spinning wheel at each end, in which Columbians Jimmy Ibarra Zapata and Angelo Lyezkysky Rodriguez walk, run, dance, and fly, both inside and out. Then there’s Russian Victor Levoshuk’s handbalancing act, a riff on one of the most ancient circus acts, in which he positions chairs ever higher until he’s nearly at the top of the big tent and balancing motionless on the whole stack. The crowd-pleasing finale is a multi-national teeterboard act that sends acrobats end-over-end high in the air to safe landings back on earth.

Between all of these acts are comic interludes, audience participation bits, ensemble dances, and fantastic performances by an onstage band, whose drummer Eden Bahar from Israel enjoys a tremendous solo.

There’s something for everyone in Cirque du Soleil’s Kooza. An astounding blend of art and athleticism, it’s also an enlightening metaphor about the potential of multi-national cooperation.

Kooza runs at PacBell Park through March 17, then moves to San Jose’s Santa Clara Fairgrounds for a one-month run April 18 – May 26. It’s by far the most amazing thing you will see this year.


ASR Nor Cal Edition Executive Editor Barry Willis is a member of the American Theatre Critics Association and president of the SF Bay Area Theatre Critics Circle. Contact: barry.m.willis@gmail.com


Written byCirque du Soleil
Directed byCirque du Soleil
Producing CompanyCirque du Soleil
Production DatesSF: Through March 17

San Jose: April 18 – May 19
Production AddressLot 1, PacBell Park, San Francisco (through March 17)

Santa Clara Fairgrounds (April 18 – May 26)
Variable – see website for times and prices
Reviewer ScoreMax in each category is 5/5
Aisle Seat Review Pick?YES!