By Joanne Engelhardt
There she is, her hair in short pigtails, wearing a starched blue-and-white pinafore over her plain white dress. If that doesn’t take you back to your own childhood, nothing will.
It’s Dorothy Gale (a delightful Libby Einav) and her little dog Toto (played by a stuffed replica named Beanie) who decides to hide from her Aunt Em (a rather stiff Kayvon Kordestani) and ends up being blown away when a hurricane pummels their little Kansas farm.
…So, what are you waiting for? Best get off to see the The Wizard of Oz!…
After an overly-long video of swirling clouds (and cows!), Dorothy finds herself and Toto somewhere new – and entrancing.
So begins this nostalgic story that just about everyone from eight years old to 80+ likely remembers fondly. There are a few new technological twists in this version, as well as delightful casting choices that make the Palo Alto Players’ production of The Wizard of Oz a must-see for all ages (over three).
Naturally there’s a mean-spirited (and green-faced) Wicked Witch of the West, played with devilish delight by Barbara Heninger.
The role of Dorothy is shared by two young girls: Einav and Penelope DaSilva, but for the purpose of this review, all comments are about Einav, who played Dorothy on opening night. As young as she is, Einav has already performed in a number of roles and obviously taken singing lessons because her vocals are strong, clear and sung with real meaning.
Credit PAP with making casting diversity a priority. Here, it’s the delightfully acrobatic Noelle Wilder as the Scarecrow, along with Lauren D’Ambrosio as their voice. Wilder identifies as Deaf. They actually look as if they are stuffed with straw the way they slither and maneuver their body!
Diminutive dynamo Stacey Reed serves as director and choreographer –- excelling at both. She smartly cast her husband, Michael D. Reed, as the Cowardly Lion who hesitates but finally agrees to join Dorothy to see if the Wizard can give him some courage. (His rendition of Act 2’s “If I Were King of the Forest” is a production highlight.)
Several other actors deserve a shout out as well:
~~Andrew Mo is the perfectly (and greenly) dressed Guard who determines who does – and doesn’t – get to see the Wizard;
~~Ian Catindig plays the Tinman who joins Dorothy’s merry troop to see the Wizard and plaintively sings “If I Only Had a Heart;”
~~Jessica Ellithorpe brings sparkly white sprinkles with her every time she enters and leaves as Glinda the Good Witch. It’s distracting, however, that Ellithorpe’s lovely gown seems too big for her, so she kind-of floats around inside it.
Naturally, The Wizard of Oz would be incomplete without disarmingly cute little Munchkins — who turn into equally cute-but-dangerous Winkies in Act 2.
There are numerous other surprises awaiting PAP audiences who see Oz. Other than Glinda’s dress, costume designer Jenny Garcia and her crew did an A+ job of creating the dozens of costumes for the 23-person cast.
Kevin Davies wears several hats – and excels with all of them. He’s the technical director, scenic and properties designer and master carpenter. The audience burst out in applause in the number “If I Only Had a Heart” as the Tinman blew smoke and whistling sounds from under his hat!
Mr. Reed (the Cowardly Lion) also found time to create the projections of the tornado footage that throws Dorothy out of Kansas and back again.
Lighting and sound are so important in a musical production and both are first class here thanks to Edward Hunter on lighting and Sheraj Ragoobeer on sound. Finally, Greet Jaspaert and her large crew deserve credit for the beautiful scenic backdrops.
So – what are you waiting for? Best get off to see the The Wizard of Oz before PAP’s production closes Nov. 19!
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Aisle Seat Executive Reviewer Joanne Engelhardt is a Peninsula theatre writer and critic. She is a voting member of the SF Bay Area Theatre Critics Circle (SFBATCC). Contact: joanneengelhardt@comcast.net
| Production | The Wizard of Oz |
|---|---|
| Written by | L. Frank Baum with Music and Lyrics by Harold Arlen and E. Y. Harburg |
| Directed by | Stacey Reed |
| Producing Company | Palo Alto Players |
| Production Dates | Thru Nov. 19th |
| Production Address | 1305 Middlefield Road Palo Alto, CA 94301 |
| Website | www.paplayers.org |
| Telephone | (650) 329-0891 |
| Tickets | $30– $57 (limited availability) |
| Reviewer Score | Max in each category is 5/5 |
| Overall | 4.75/5 |
| Performance | 4.5/5 |
| Script | 4.25/5 |
| Stagecraft | 4.5/5 |
| Aisle Seat Review PICK! | YES! |
