By Joanne Engelhardt
Dare to admit that you’ve never read “Green Eggs and Ham,” “The Cat in the Hat,” “Horton Hears a Who,” and….duh: “How the Grinch Stole Christmas.” OK, if you didn’t read them, then it’s likely someone read them to you when you were a little tike.
Woodside Musical Theatre’s playful production of the 2000 musical comedy Seussical by Lynn Ahrens and Stephen Flaherty takes you back to the entire world of Dr. Seuss even before the curtain opens. That’s when the pert, wily Olivia Swanson Hass as that famous Cat in the Hat (you know: the one with the tall red-and-white striped hat) hustles onstage to retrieve said hat.
Sadly, in its initial Broadway appearance, the Great White Way apparently felt Seussical (a portmanteau of the words “Seuss” and the word “musical”), was a dud. Later it was revived and had several national tours and now is a frequent production at regional theatres and schools.
It’s easy to see that WMT’s production has a heart as big as the one of Horton – performed here with plenty of down-home sincerity by Jay Steele. His gentle, caring vocals help the audience understand how really compassionate Horton is.
…Bright primary colors make “Seussical” a visual delight…
Horton and a young boy named JoJo – who is doing poorly in school and is teased by his classmates – are at the core of the story. JoJo’s the only child of the mayor of Whoville and his wife, who are trying to decide how to discipline him. They tell him to take a bath, go to bed and have some normal “thinks.”
Two young actors alternate playing JoJo: Nadia Moehler and Tyler Kawata. On opening night Moehler was JoJo and she did a remarkable job. Her strong voice and commanding stage presence is rare in such a young person.
Jeffrey Ramos has his hands full directing the incredibly large cast – and he succeeds beautifully.
Standouts in the cast include: Leslie Chicano as Mayzie LaBird, who longs to have more than one tail feather – then comes to regret it when she gets more than she bargains for; Sarah Szeibel as Gertrude McFuzz; Angela Harrington as Sour Kangaroo, and Lauren Biglow as Yertl the Turtle. Biglow also plays a wacky judge in Act 2.
John Tondino makes a solid Vlad Vladikoff as does Mark Bowles as General Genghis Kahn Schmitz.
Of course, a musical with about 30 songs obviously needs strong singers – and a large orchestra to keep them all on key. Musical director Justin Pyne and his 13-piece orchestra are at the back of the stage mostly hidden from the audience by what looks like an ornate metal barrier.
Greet Jaespert’s delightful costumes are an essential part of Seussical. She cleverly finds a way to help audience members remember who’s who by adding a feather here, a tiny kangaroo there, and a military-looking uniform that stops at the geneal’s knees to show off his silly socks.
All-around handyman Don Colussi deserves heaps of applause for not only creating the set, but doing lighting design and serving as technical director. Another crucial position for any musical is the choreography, and Richard Nguyen and his assistant choreographer Samantha Ayoob handle that chore gracefully.
It’s clear that for WMT’s actors and production staff, it’s a labor of love for their annual show.
It’s unfortunate that Seusical plays for only one more weekend because the effort put into it by the cast and crew deserves a longer run. Discounts are available for tickets outside the center orchestra premium section.
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Aisle Seat Executive Reviewer Joanne Engelhardt is a Peninsula theatre writer and critic. She is a voting member of the SF Bay Area Theatre Critics Circle (SFBATCC). Contact: joanneengelhardt@comcast.net
| Production | Seussical |
|---|---|
| Written By | Lynn Ahrens and Stephen Flaherty |
| Directed by | Jeffrey Ramos |
| Producing Company | Woodside Community Theatre |
| Production Dates | Through Oct. 22nd |
| Production Address | 199 Churchill Ave., Woodside, CA |
| Website | www.woodsidetheatre.com |
| Telephone | (650) 206-8530 |
| Tickets | $30 (youth); $52 (seniors); $57 (adults). Discounts available online. |
| Reviewer Score | Max in each category is 5/5 |
| Overall | 4.25/5 |
| Performance | 4.25/5 |
| Script | 3.0/5 |
| Stagecraft | 4.25/5 |
| Aisle Seat Review Pick? | YES! |