By Joanne Engelhardt
What happens when the electricity and amplification go off in the middle of a performance? If you’re the cast and crew of Coastal Repertory Theatre in Half Moon Bay, you just go with the flow and continue the performance!
That’s what happened last Sunday afternoon when this reviewer saw CRT’s pleasantly charming (if a tad dated) production of Boeing, Boeing. Clearly, the Coastal Rep bunch believes in the old theater adage: “The show must go on.”
“… terrific performances by Deborah Joves…Mark Selle…Danny Martin and Maddie Rea…”
Go on, it did, thanks to opening large doors to let in some light. Even a few audience members contributed by using their phone lights or getting a car flashlight to shine on the stage.
Boeing, Boeing was written by French playwright Marc Camoletti and later translated into English by Beverley Cross and Francis Evan. It was first staged in London in 1962, where it ran for seven years. When it opened on Broadway in 1965, it was a flop, running for only 23 performances. That same year it was made into a movie starring Tony Curtis and Jerry Lewis. The film was considered somewhat dated but mildly amusing. That about sums up Coastal Rep’s production as well.
And so it is that in this reviewer’s opinion, if it weren’t for the terrific performances by Deborah Joves as the housekeeper Berthe, Mark Selle as Robert, an American who comes to visit his old college friend Bernard (Danny Martin) in Paris, and Maddie Rea as the Lufthansa flight attendant, Gretchen, this production would be, well, a challenge at attracting viewers.
Joves, in particular, carries the brunt of the storyline and performs her role in the deadpan manner of Thelma Ritter (who was in the 1965 film). Watching her attempt to keep her boss’ love life straight is priceless.
When Gretchen arrives, Berthe has to be sure that her photo is sitting in the frame in the living room. But if Gabriella (Emily Krayn), the Air France stewardess, is coming, her picture has to be visible. Ditto for Gloria (Erica Racz), the American air hostess who strangely loves catsup on her breakfast waffles!
Director Mark Drumm is a pro and does a good job of trying to keep this menage a trois x2 up in the air! But, the play, so much a product of its time, is itself the source of its own … turbulence. That said, kudos and all credit to the production crew, too.
The spectacular set and the oh-so-authentic 1960s furniture and paintings are both the work of Doug McCurdy. Imagine creating a set with six single doors and then double doors at the center rear of the stage! The authentic-looking costumes of the flight attendants, and of the housekeeper, are the creative work of Michele Parry and add so much as well. Jaap Tuinman’s sound design is fine as is Blake Dardenelle’s lighting design.
And please be aware: Coastal Rep’s website advises that this play has “mature themes. Parental guidance suggested for persons under 13.”
Many of the paintings on the walls of the set are actually for sale, although they’re not available until the play closes on Feb. 18. Check out the Coastal Rep website at www.coastalrep.com for photos of the paintings and how to place a bid.
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Aisle Seat Executive Reviewer Joanne Engelhardt is a Peninsula theatre writer and critic. She is a voting member of the SF Bay Area Theatre Critics Circle (SFBATCC). Contact: [email protected]
| Production | Boeing Boeing |
|---|---|
| Written by | Marc Camoletti |
| Directed by | Mark Drumm |
| Producing Company | Coastal Repertory Co. |
| Production Dates | Thru Feb 18th |
| Production Address | 1167 Main St., Half Moon Bay, CA |
| Website | www.coastalrep.com |
| Telephone | (650) 204-5046 |
| Tickets | $19– $32 |
| Reviewer Score | Max in each category is 5/5 |
| Overall | 3.75/5 |
| Performance | 3.5/5 |
| Script | 2.5/5 |
| Stagecraft | 4/5 |
| Aisle Seat Review PICK! | ---- |
