By Barry Willis
Four college friends gather for an alcohol-fueled reunion in Will Arbery’s 2019 drama Heroes of the Fourth Turning at Left Edge Theatre in downtown Santa Rosa through September 21.
Directed by Skylar Evans on a simple thrust stage, the setup includes four graduates of a little Catholic college in Wyoming. They have returned for the inauguration of the school’s new president, Gina (Lisa Flato), who mentored one of the group’s most conservative members and is the mother of another. All the action takes place in the backyard of Justin (Brandon Kraus), a former Marine sharpshooter who introduces himself to the audience by dispatching a deer and field-dressing it outside his back door, which looks very much as if it belongs on a mobile home (set designer, Argo Thompson).
Justin’s friends include Teresa (Jessica Headington), a hard-core Trumper steeped in Catholic theory; Emily (Allie Nordby), a less-conservative classmate with some undefined ailment; and Kevin (Logan Witthaus), a blackout drunk with deep personal issues. An impending full moon and a noisy generator work their way into the plot, with supernatural implications but no consequences.
“ . . . well-performed . . . “
At nearly three hours, Heroes has a lengthy introduction where we get schooled on Catholic theory, education, and the current political climate. The friends also get amicably reacquainted and have some polite disagreements about what policies best serve the people of the United States. Headington is quite convincing as the uber-conservative Teresa, and Kraus brings some serious gravitas to the role of Justin, who proves to be an increasingly substantial character as the play rolls out. Norby gives her Emily just the right amount of self-doubt and self-pity, with an inexplicable outburst in the final act. Witthauss’ Kevin is an insufferable loudmouth drunk of the type we all recognize and do our best to avoid.
Gina, the new school president, appears in the last act and holds forth on conservative theory, in the process revealing that she gave birth to eight children—each of them by life-threatening C-section. She abruptly announces that she’s hiring Kevin as the school’s new Dean of Admissions. He hasn’t shown any redeeming qualities but somehow she thinks he can rise to the challenge, assuming he can get up off the floor and wipe the vomit off his shirt. It’s not a flattering portrait of college administration.
This reviewer found that plot point is just about as nonsensical as most of the rest of Heroes of the Fourth Turning, but the show is well-performed even if the story is confounding. At nearly three hours, it’s badly in need of an edit—especially the inexplicable closing act—but it probes plenty of issues that bedevil us today. Imagine that The Big Chill and Agnes of God had a love child and you’ll have some idea what you’re in for.
-30-
ASR Nor Cal Edition Executive Editor Barry Willis is a member of the American Theatre Critics Association and president of the SF Bay Area Theatre Critics Circle. Contact: barry.m.willis@gmail.com
| Production | Heroes of the Fourth Turning |
|---|---|
| Written by | Will Arbery |
| Directed by | Skylar Evans |
| Producing Company | Left Edge Theatre Co. |
| Production Dates | Through Sept 21st |
| Production Address | The California 528 7th Street Santa Rosa CA 95401 |
| Website | www.leftedgetheatre.com |
| Telephone | (707) 664-7529 |
| Tickets | $20-$35 |
| Reviewer Score | Max in each category is 5/5 |
| Overall | 3.5/5 |
| Performance | 4/5 |
| Script | 3/5 |
| Stagecraft | 3/5 |
| Aisle Seat Review Pick? | ---- |