Pick ASR ~~ It’s Alive!—“Young Frankenstein the Musical” at SAL

By Cari Lynn Pace

In a dark theatre, figures in hooded cloaks file past the audience and up the stairs to the stage. There’s a black-and-white video of a gloomy-looking village – could this be Transylvania, the town terrorized by Frankenstein’s monster?

Surprise! The cloaks are abruptly shed revealing gaily dressed townspeople who sing happily of the end of the monster’s reign. Thus begins the sharply crafted musical Young Frankenstein, Mel Brooks’ hilarious take-off on the classic horror story. The casting is perfect, a continuing hallmark of productions at Sonoma Arts Live. No wonder this show sells out!

” … The large cast has a terrific time onstage …”

Michael Bauer plays the young Dr. Frankenstein as a normal physician reluctant to admit his macabre family connections. His role contrasts the other zany characters, all parodies of the original horror film.

The young doctor’s fiancée, gorgeous Joanna Lynn Bert, is outrageous with her preening and socialite affectations. Frau Bucher, the mysterious and intimidating housekeeper, is a delightfully deadpan Kim Williams. Igor, the smarmy hunchback, is helpfully acted out by Pat Barr. Inga, the sexpot assistant, couldn’t be funnier than the role done by Emma Sutherland.

In a surprise cameo, Director Larry Williams, an award-winning veteran of successful comedies, pops onstage singing “Join the Family Business” to the young doctor.

Todd Krish delights the audience when he awakens on the operating table as the Monster. Krish, at 6’2”, wore clodhopper boots that brought him to a height of 7’ with makeup so unbelievably green it would make Kermit the Frog envious. His “Deep Love” duet with (spoiler alert) his new love was worth the price of admission to this laugh-out-loud show.

The large cast has a terrific time onstage, with zippy songs under musical direction by Justin Pyne. The choreography by Liz Andrews and amusing costumes by Allison Sutherland created this monstrously good production., Producer Jamie Love enthuses about veterans and newbies too: “I’m thrilled that many of my young students had a chance to work on the lights and sound, and did such a great job!”

Director Williams had the last word: “We had so much fun bringing Young Frankenstein back to life!”

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ASR Writer & Editor Cari Lynn Pace is a voting member of SF Bay Area Theatre Critics Circle and writes theatre and lifestyle reviews for the Marinscope Community Newspapers throughout Marin County. Contact: [email protected]

 

ProductionYoung Frankenstein -- The Musical
Book byThomas Meehan and Mel Brooks
Directed byLarry Williams
Producing CompanySonoma Arts Live
Production DatesThru Sept 22nd
Production AddressRotary Stage: Andrews Hall, Sonoma Community Center
276 E. Napa Street, Sonoma
Websitewww.sonomaartslive.org
Telephone866-710-8942
Tickets$25 – $42
Reviewer ScoreMax in each category is 5/5
Overall4.5/5
Performance4.5/5
Script4.5/5
Stagecraft4.5/5
Aisle Seat Review Pick?YES!

PICK ASR Theater! ~~ LASC’s Fabulous “Young Frankenstein” is Monstrous Laughs!

By Joanne Engelhardt

Whenever you go to a Mel Brooks production, you know you’re in for a barrel of laughs, sight gags, and a quirky plot. But when it’s also a musical with sensational actors, singers, and dancers, it’s a given that it’s going to be good.

The Los Altos Stage Company’s current production of Young Frankenstein isn’t just good.

It’s GREAT!

(L-R) Bryan Moriarty as The Monster, and Joey Dippel as Dr. Frederick Frankenstein at work.

Director/choreographer Morgan Dayley has pushed her cast of 13 actors to the highest levels of absurdity to make this production zing. There’s hardly a false note anywhere, although this reviewer thought there were a few times when the onstage band conducted by Benjamin Belew played a tad too loudly to hear the zany lyrics being sung. But that’s a trifle because sold-out audiences like the one at last Sunday’s matinee couldn’t stop laughing, cheering and happily enjoying the whacky show.

Young Frankenstein is based on the 1974 comedy film written by Gene Wilder and Brooks. Brooks and Thomas Meehan began working on the musical version in 2006; it opened on Broadway the following year.

“… sold-out audiences … couldn’t stop laughing …”

In LASC’s production, it took just a little lime-colored headpiece and platform shoes to turn Bryan Moriarty into The Monster, but he was a perfect one. Other standout performers — in a cast that is uniformly excellent — are Dave Leon as Igor, Caitlin Gjerdrum as the rubber-faced Frau Blucher, an over-the-top Gwyneth Price Panos as Elizabeth and Keith Larson as the hapless one-eyed Inspector Kemp.

(L-R) Dave Leon as Igor, Joey Dippel as Dr. Frederick Frankenstein, & Gwenaveire Garlick as Inga.

Who’s left to mention? Why, Frankenstein’s heir, Dr. Frederick Frankenstein (fast-talking Joey Dippel), who is the dean of anatomy at a respected New York City medical school. This Frankenstein has spent his lifetime insisting he’s not a madman, but a scientist –- he even tries to distance himself by saying that his last name is pronounced “Fronk-en-steen.”

But when he finds out he has inherited his grandfather’s castle in Transylvania, he is forced to head there to resolve the issue of what to do with the property.
Eventually he meets all the people who work in the castle as well as a yodeling (and beautiful) lab assistant named Inga (a delightful Gwenaveire Garlick).

Joey Dippel as Dr. Frederick Frankenstein in “Young Frankenstein.”

Perhaps it’s best to let theatregoers discover all the charm and joys of LASC’s Young Frankenstein on their own because it’s got it all: Fine dance numbers, strong vocals, fun costumes (thanks to Lance Muller), a versatile set by Bryan Hornbeck, good sound (Chris Beer and Brian Foley) and lighting (Carol Fischer).

“Young Frankenstein” cast stepping it out!

And that rarity: A couple of tap numbers including Irving Berlin’s “Putting on the Ritz.” It’s worth the price of admission just to watch The Monster try to keep his top hat and lime headpiece on while tapping!

This show is 2 ½ hours of unadulterated fun including one 15-minute intermission. Go see it!

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Aisle Seat Executive Reviewer Joanne Engelhardt is a Peninsula theatre writer and critic. She is a voting member of the SF Bay Area Theatre Critics Circle (SFBATCC). Contact: [email protected]

 

ProductionYoung Frankenstein
Written byMel Brooks and Thomas Meehan. Music-Lyrics by M. brooks.
Directed byMorgan Dayley
Producing CompanyLos Altos Stage Co.
Production DatesThru June 23rd
Production Address97 Hillview Ave., Los Altos, CA
Websitelosaltosstage.org
Telephone650.941.0551
Tickets$22-$45
Reviewer ScoreMax in each category is 5/5
Overall4.75/5
Performance4.75/5
Script4.75/5
Stagecraft4.5/5
Aisle Seat Review PICK?YES!