By Joanne Engelhardt
Expect to spend more than 1 ½ hours being mesmerized by the Palo Alto Players’ production of Misery, running through Feb. 4 at Lucie Stern Theater in Palo Alto. It’s so scary you might even consider taking a Valium before heading to the theater!
Because of all the suspense, violence, and downright nastiness in Misery, it’s no wonder that PAP has made it abundantly clear that this play is recommended for ages 17 and older.
Kimberly Ridgeway’s direction is so carefully executed that even the most violent scenes provoke fascination and horror. That’s also due to the two fine actors she chose to perform onstage nearly nonstop for the entire production.
As the quirky, isolated-from-society Annie Wilkes, Maria Marquis is both exquisitely frightening and authentic. Marquis’ Annie has a childlike vibe about her that makes her even more bizarre and creepy.
…When she says to Paul: “I’m your Number One fan!” it’s not a compliment …
As well-known author Paul Sheldon, Christopher Mahle is the object of all of Annie’s affection and attention after she pulls him out of his car when he has an accident not far from her home. She takes on the role of nursing him back to health in her spare bedroom, a task she relishes because she’s read all of his “Misery Chastain” novels and can’t wait to read the next one.
Although Annie is somewhat experienced in nursing, she also decides that she wants Paul all to herself for as long as possible. She takes away his car keys and cell phone, hiding them where he’ll never find them.
Annie’s delighted when Paul finally wakes up after being unconscious for four days. During that time, she discovers he has a new manuscript in his briefcase and asks him whether she might be allowed to read it as his “Number One fan.” Grateful for her care, Paul begrudgingly agrees. But when she discovers that the book isn’t about Misery Chastain, she is enraged.
She tells him he must continue writing about her favorite character, Misery. Paul tells her he wanted to write something somewhat autobiographical. Helplessly he watches as she sets fire to the book he’s spent months writing.
Even this much of the storyline doesn’t reveal a lot about the play’s plot because it has more twists and turns than a maze.
Written by playwright William Goldman, based on the Stephen King novel, the cast of Misery includes just one other character: the local sheriff, Buster (Zachary Vaughn-Munck). The sheriff makes several trips to Annie’s home to talk to her about the missing author.
Gillian Ortega’s rotating three-room set (plus a front door at the far right) is an integral part of Misery. The bedroom, living room and kitchen are the three rooms that slowly move in a circle as the actors sometimes rush through them to be in place when the pre-recorded music stops and lights go up on the next scene. Edward Hunter’s lighting is appropriately scary. Dave Maier also deserves a shoutout for making the fight scenes authentic (and again: scary).
With Misery, Palo Alto Players provides an absorbing evening of theatre. Just leave the kiddies at home.
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Aisle Seat Executive Reviewer Joanne Engelhardt is a Peninsula theatre writer and critic. She is a voting member of the SF Bay Area Theatre Critics Circle (SFBATCC). Contact: [email protected]
| Production | Misery |
|---|---|
| Written by | William Goldman. Based on the novel by Stephen King. |
| Directed by | Kimberly Ridgeway |
| Producing Company | Palo Alto Players |
| Production Dates | Thru Feb 4th |
| Production Address | 1305 Middlefield Road Palo Alto, CA 94301 |
| Website | www.paplayers.org |
| Telephone | (650) 329-0891 |
| Tickets | $35-$60 |
| Reviewer Score | Max in each category is 5/5 |
| Overall | 4.75/5 |
| Performance | 4.75/5 |
| Script | 4.75/5 |
| Stagecraft | 4.75/5 |
| Aisle Seat Review PICK! | YES! |