ASR Theater ~~ “Into the Woods”—A Natural Fit for 110th Mountain Play

By Cari Lynn Pace

Opening day for the 2023 Mountain Play Into the Woods dawned cold and overcast.

Fortunately, the fog was low-lying, and above the clouds rose the clear sunny slopes of Marin County’s Mt. Tamalpais. Well-bundled crowds dressed in layers filed onto school busses in downtown Mill Valley to shuttle them up the windy road to the mountaintop. Many hardy and fit souls drove to parking lots at Pan Toll or Bootjack and hiked up. The pilgrimage to the festive outdoor party, shining in the sun, had begun.

Cushing Memorial Amphitheatre holds 3,700 folks in its outdoor venue, with rough granite seats surrounded by abundant forest. On clear days you can see San Francisco and the East Bay from the 2579’ elevation. The ever-present challenge in attending the Mountain Play is to prepare for changes in weather. Some years it’s chilly, or rainy. Other years can bring withering heat, with water sprayers and fans going full blast to keep patrons cool.

…This musical by Stephen Sondheim, with the book by James Lapine, is a mash-up of classic fairy tales….

No matter, the crowds are always friendly and multi-generational. Blankets are spread, coolers opened, paper plates passed around. Popping corks punctuate the laughter and squeals of children. Dedicated foodies have been known to set up tables with cheese fondue and forks. The vibe is always good at the Mountain Play.

Warm-up entertainment begins at 12:30 with local singers, musicians, and food vendors. At 2 p.m., executive director Ellen Grady welcomes the crowd, the orchestra tunes up, and the crowd cheers with enthusiasm as Into the Woods begins.

This musical by Stephen Sondheim, with the book by James Lapine, is a mash-up of classic fairy tales. Characters appear from Cinderella, Jack and the Beanstalk, Rapunzel, Red Riding Hood, and Sleeping Beauty. A wicked witch puts a curse on the baker and his wife. Prize cow Milky White enjoys a day in the sun.

Samantha Cardenas as Cinderella in “Into The Woods”

Each character is delightfully costumed by Amie Schow. Everyone goes off into the woods – represented by a wooden scaffold designed by Andrea Bechert – to seek their wishes. The plot won’t make much sense, and it won’t be a happy ending – true to the stories written by the Brothers Grimm – but it is entertaining as any fairy tale might be.

Shayla Lawler as Rapunzel.

Director/choreographer Nicole Helfer brings out amusing portrayals from all performers. Their powerhouse singing voices are superb, with not a weak link to be heard. Sondheim fans will hear many unfamiliar songs from this Tony Award-winning score. The better songs are in the long first act, which brought pleasing resolution to the fate of characters that ventured into the woods.

L to R – Christopher Sotelo (Rapunzel’s Prince) and Phillip Harris (Cinderella’s Prince). Photo credit: Ed Smith Photography

Act II begins a dark epilogue. There’s a mean giant, and killings, and infidelity. The second half drags with unhappy outcomes. There are many ballads accompanied by the 15-piece orchestra skillfully conducted by Daniel Alley, the musicians tucked into a lean-to structure onstage.

The first act of Into the Woods is a lightweight show without unhappy outcomes, recommended for all ages. In fact, the first act is often performed as a stand-alone children’s show. The second act’s mean-spirited malevolence may be a matter of concern for parents with sensitive kids.

Remaining performances of Into the Woods are May 28, June 4, 10, and 11, and 18. ASL-interpreted performances are June 10 and 11. All Mountain Play performances are 2 p.m. but it’s best to get there at least an hour before.

-30

ASR Writer & Editor Cari Lynn Pace is a voting member of SF Bay Area Theatre Critics Circle and writes theatre and lifestyle reviews for the Marinscope Community Newspapers throughout Marin County. Contact: pace-koch@comcast.net

 

ProductionInto The Woods
Written byBook: James Lapine
Music/Lyrics: Stephen Sondheim
Directed byNicole Helfer
Producing CompanyThe Mountain Play Association / Ross Valley Players
Production DatesThru June 18, 2023
Production AddressCushing Memorial Amphitheatre, Mt. Tamalpais State Park, 801 Panoramic Highway, Mill Valley CA
Websitewww.MountainPlay.org
Telephone(415) 383-1100
Tickets$25-$50 & Up
Reviewer ScoreMax in each category is 5/5
Overall3.5/5
Performance4/5
Script2/5
Stagecraft3/5
Aisle Seat Review Pick?----

PICK! ASR Theater ~~ “Into the Woods” A Delightful Stroll at Foothill Theatre Arts

By Joanne Engelhardt

There’s nothing like a relatively small theater to enable audiences to appreciate the wonder, the magic and the magnificence of Stephen Sondheim’s way with words.

That’s what’s in store for anyone lucky enough to get a ticket to the current Foothill Theatre Arts production of Into the Woods, running through March 19 under the capable direction of Milissa Carey.

Several powerful voices in this version of Woods greatly add to the overall experience. Caitlin Gjerdrum, in the pivotal role of the Witch, excels in both acting and singing.

(L-R) Alicia Teeter, James Schott, and Caitlin Gjerdrum in “Into The Woods”. Photo by David Allen.

Equally strong in the vocal department is James Schott as the Baker, Alicia Teeter as the Baker’s Wife and, as the Narrator/Mysterious Man, Michael Paul Hirsch brings those characters to life in new, interesting ways.

”…the magnificence of Stephen Sondheim’s way with words.”

Into the Woods first opened on Broadway in 1987 with Sondheim providing the music and lyrics and James Lapine, the book. It won three Tony Awards that year – for best score, best book and best actress.

The story primarily involves fairy tale characters from Jack and the Bean Stock, Little Red Ridinghood, Cinderella, and Rapunzel, with several others having lesser roles.

Characters galore! Jack’s Mother, Cinderella, Witch, Baker, Cinderella’s Prince, Florinda, Lucinda, Rapunzel’s Prince, Stepmother, Mysterious Man, Little Red, and Baker’s Wife at work in Foothill’s “Into The Woods”. Photo by David Allen.

Music and lyrics, of course, are key and here’s where Sondheim shines. The song “Into the Woods” is interwoven throughout the show, but there’s also the haunting “Last Midnight,” “Children Will Listen” and “No One is Alone.”

There are many lighter musical moments as well, including “Hello, Little Girl,” sung by the Wolf to Little Red Riding Hood,” “A Very Nice Prince,” “Agony,” and “It Takes Two.”

Carey’s production team is top-notch as well. Scenic designer Yusuke Soi had his work cut out for him, trying to fit this big musical onto the Lohman Theater stage. But he came through with flying colors, making a tree-filled woods, several homes, a bakery, Grandma’s house and a special giant tree all fit.

He even made the orchestra part of the woods. By putting them at the rear center of the stage, audience members get to watch Horsley conduct a top-notch seven-person orchestra play the score.

Soi also is responsible for the remarkable design and construction of the hapless cow, Milky White. Some productions have two people wear a cow costume to play this character, but Soi’s design is remarkably fluid. Kudos, too, to Mateo Urquidez, who easily manipulated the cow character.

In many ways, the story line involving the Baker and his wife very much wanting to have a baby is just an excuse for stringing together beautiful Sondheim songs.  Just to cite two examples, read carefully and “listen” to his words, first in “Prologue Into the Woods”… 

“Into the woods without regret,
The choice is made, the task is set.
Into the woods, but not forgetting
why I’m on the journey.”

And then in the song “Children Will Listen”…

“Careful the things you say
Children will listen
Careful the things you do
Children will see and learn
Children may not obey, but children will listen”

 

Both, amazing and classically Sondheim.

Costume designer Sharon Peng’s amazing talent at work. Photo by David Allen.

Costume designer Sharon Peng did an outstanding job of creating the colorful outfits that seemed right for each storybook character as well as the ordinary people in the town. Lighting is a key part of the show as well, and Pamila Grey didn’t disappoint.

Two other production staff deserve mention: What good are song lyrics if they can’t be heard? Sound designer Andy Heller makes sure that doesn’t happen. Finally, Kayson Kordestani’s choreography works beautifully on the small stage.

To sum up: A beautifully presented production that shouldn’t be missed.

-30

Aisle Seat Executive Reviewer Joanne Engelhardt is a Peninsula theatre writer and critic. She is a voting member of the SF Bay Area Theatre Critics Circle (SFBATCC). Contact: joanneengelhardt@comcast.net

 

ProductionInto The Woods
Book by / Music & Lyrics byJames Lapine / Stephen Sondheim
Directed byMilissa Carey
Producing CompanyFoothill Music Theatre
Production DatesThrough March 19th
Production AddressFoothill College
12345 El Monte Rd.
Los Altos Hills, CA 94022
Websitewww.foothill.edu/theatre
Telephone(650) 949-7360
Tickets$20 - $40
Reviewer ScoreMax in each category is 5/5
Overall4.5/5
Performance4.5/5
Script4.5/5
Stagecraft4.5/5
Aisle Seat Review Pick?YES!