PICK ASR! ~ ~ Palo Alto Players Know Tradition in “Fiddler on the Roof”

By Joanne Engelhardt

The jarring election news earlier this month seems to reflect the Russian influence erupting in Palo Alto Players’ fine production of Fiddler on the Roof in the 1905 village of Anatevka. It runs through Nov. 24 at Palo Alto’s Lucie Stern Theater and is already nearly sold out.

Based on stories by Sholem Aleihem, Fiddler was made into a stage play (book by Joseph Stein, music by Jerry Bock and lyrics by Sheldon Harnick) and was first produced on Broadway in 1964 where it ran for more than 3,000 performances.

Finely etched performances here by Joey McDaniel as Tevye, Brittney Mignano as his tart-tongued wife Golde, and several actors as his five daughters bring Aleihem’s story of the poor milkman come to life. The show is rife with many wonderful songs like “Matchmaker, Matchmaker,” “Tradition,” “If I Were a Rich Man” and “Sunrise, Sunset.”

Photo by Christian Pizzirani – (Center, L-R) Tevye (Joey McDaniel), Lazar Wolf (Doug Brook) and the company celebrate Lazar’s engagement to Tevye’s eldest daughter Tzeitel in FIDDLER ON THE ROOF.

For PAP’s production, musical director/conductor Amanda Ku and her 10-piece orchestra are strewn across the entire back of the Lucie Stern stage. Soft lighting and strategic scenery make them almost invisible as the story unfolds.

And what a story it is! It centers on Tevye, a poor Jewish milkman with five daughters, who has to resort to pulling his own cart to deliver milk when his old horse becomes lame. As he arrives home, Golde chastises him to wash up while yelling at her daughters to get everything ready for the Sabbath meal.

In those days, the village matchmaker was a powerful person. Here, Marsha van Broek as Yente, the matchmaker, adroitly shows her sway over families as she tells Golde that she has found a perfect match for Tzeidel (Gabrielle Goodman): Lasar Wolfe (Doug Brook), the village’s butcher who is older than Tzeidel’s father but has a lot of money.

Both Golde and Tevye are excited about the butcher’s intentions because they know their eldest daughter will be well cared for – and the entire family will benefit when Lasar says he’ll throw in some extra money for Tzeidel’s family.

Photo by Christian Pizzirani — Tevye (Joey McDaniel) and his wife Golde (Brittney Mignano) in FIDDLER ON THE ROOF, the classic Tony Award-winning musical that features a timeless score and a universal story of family, love, loss, and resilience.

The hitch? Tzeidel and her childhood friend, Motel (an earnest Joe Steely), made a “pact” a year earlier that they would marry when they got older.

Tevye and Golde are strongly opposed to their union both because Motel is practically penniless (he’s a tailor who sews clothes by hand) and because “tradition” says the head of a household makes the decision of who his daughters marry.

. . . eventually Tevye grudgingly gives his blessing to … marriage . . .

Act 1 ends with the song “Wedding Dance” where the happy bride and groom have a traditional wedding officiated by the village rabbi (a rather bland Richard Brandi). But as Tevye’s family and friends all join in the celebration, a constable (Matt Regan) shows up with his soldiers to break up the happy event.

Director/choreographer Jennifer Copaken has her hands full with the large cast (30+), but she and the efficient stage crew keep things moving smoothly. Counting a 15-minute intermission, the whole production runs just over 2 ½ hours.

In Act 2, daughters two and three (Madelyn Davis Haddad as Hodel and Teagan Murphy as Chava) get their moments in the sun. Hodel follows her heart and falls in love with itinerant scholar Perchik (Sam Kruger) who has been giving school lessons to Tevye’s two youngest daughters. They want to marry – again not what her parents want for her – but Tevye gives in when he sees their love for each other.

Ditto with daughter No. 3: Chava (Teagan Murphy). By this time, Tevye is coming around to the idea that “Love – it’s the new style.”

Photo by Christian Pizzirani – Tevye (Joey McDaniel) and the villagers of Anatevka in FIDDLER ON THE ROOF at PAP.

While PAP’s Fiddler is charming in so many ways, this reviewer found one character, Fiddler Eliya played by Chava Roy, a tiny bit tiresome as she repeatedly climbs up the stairway to a small balcony and then pretends to play on her “fiddle.”

But that’s just a trifle. Saturday night’s audience gave the production a standing ovation. PAP has just announced it’s added an extra performance to accommodate all the people hoping to get tickets.

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Aisle Seat Executive Reviewer Joanne Engelhardt is a Peninsula theatre writer and critic. She is a voting member of the SF Bay Area Theatre Critics Circle (SFBATCC). Contact: [email protected]

 

ProductionFiddler on the Roof
Written by Joseph Stein
Directed byJennifer Copaken
Producing CompanyPalo Alto Players
Production DatesThru Nov. 24th
Production AddressLucie Stern Theater,
1305 Middlefield Road, Palo Alto
Websitewww.paplayers.org
Telephone(650) 329-0891
Tickets$35-$60
Reviewer ScoreMax in each category is 5/5
Overall4.75/5
Performance4.75/5
Script4.75/5
Stagecraft4.5/5
Aisle Seat Review PICK!YES!

PICK ASR! ~~ Surprising Stunner: Throckmorton’s “Fiddler on the Roof”

By Cari Lynn Pace

This timely and fact-based story of a Jewish village in 1905 Imperialist Russia is heartbreaking and hopeful. It’s a tale of young love that transcends bias and ignites sparks of idealism to challenge traditional thinking.

Fiddler on the Roof won awards with beloved songs like “Sunrise, Sunset” and “If I Were a Rich Man” when it debuted on Broadway 60 years ago. It became the longest-running musical for ten years. The superb production at the Throckmorton Theatre in Mill Valley is a must-see for many reasons.

“The superb production at the Throckmorton Theatre in Mill Valley is a must see…”

The massive cast of actors – an astonishing 50 biographies are in the program –acts, sings, and dances with precision and high spirits. There is so much talent that eleven leading roles are double-cast, so you might have to see the show twice.

The impressive stage work belies their youthful ages from grade school through high school. There are even a couple of veteran actors in the show. Perhaps it is the beards that fooled me? More likely, it is the eight weeks of rehearsal under director, producer and co-choreographer Rebecca Gilbert. Kudos also to co-choreographer Erin Gentry for the cast’s high-stepping energy.

“Fiddler on the Roof” plays at the Throckmorton Theatre.

It’s impressive how all this talent can fit on the Throckmorton stage. Set designers Steve Coleman and Jean-Paul LaRosee are wizards at their craft. When costume designer Lyre Allston adds her skills, the audience is immersed in the village of Anatevka with its determined residents.

Another highlight of this production is the nine-piece band under the alternating musical direction of Desiree Goyette and Noah Bossert. Taking place front and center, the music fills the house yet never overwhelms the songs, adding haunting melodies with the violins, clarinet, mandolin, accordion, and more.

As the classic story unfolds, Tevye, a poor milkman eking out a living, has five daughters and the responsibility of finding suitable husbands for them. Tradition commands the father must choose, giving his approval and blessing. Along with his wife Golde they face the village’s limited prospects of suitable mates, urged by the matchmaker Yente. The eldest daughters have their ideas of spouses, chafing at the tight rope of tradition until it snaps.

The cast at work in “Fiddler” on now at the Throckmorton.

The Russians are also tightening their territorial ropes, causing mayhem and upheaval against the settlement. The culmination of the harassment forces a resigned exodus from the village. This reviewer’s own father-in-law, born in the Ukraine during this period, supports the story’s sad basis in truth. The imagined Anatevka is like many other villages under duress today.

Don’t miss Fiddler on the Roof, an energetic show with belief in a hopeful future for all who are displaced.

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ASR Senior Writer & Editor Cari Lynn Pace is a voting member of SF Bay Area Theatre Critics Circle and writes theatre and lifestyle reviews for the Marinscope Community Newspapers throughout Marin County.

 

ProductionFiddler on the Roof
Written byJoseph Stein
Directed byRebecca Gilbert
Music/Lyrics byJerry Bock and Sheldon Harnick
Producing CompanyThrockmorton Theatre
Production DatesThru May 26th
Production Address142 Throckmorton, Mill Valley CA 94941
Websitehttp://www.throckmortontheatre.org/
Tickets$25-$30
Reviewer ScoreMax in each category is 5/5
Overall4.5/5
Performance4.5/5
Script4.5/5
Stagecraft4.5/5
Aisle Seat Review PICK?YES!