By Barry Willis
The greatest redemption story in the English language is still going strong at the American Conservatory Theater in The City, through December 24.
Charles Dickens’ A Christmas Carol has riveted readers, film fans, and theatergoers for many decades. ACT’s annual extravaganza is hugely satisfying, as it has been in its current configuration for 17 years. The sumptuous Carey Perloff/Paul Walsh production is scheduled for retirement after this season, to be replaced by a new one next year, according to ACT Executive Director Jennifer Bielstein.
… hugely satisfying …
Details about the new version aren’t available, but those who wish to see the classic that has inspired many imitators have the remaining week to get a full helping of Christmas uplift.
James Carpenter alternates with Anthony Fusco in the lead role of curmudgeonly miser Ebenezer Scrooge—a role that both actors were born to play. (Ditto for Patrick Stewart in one of many film versions. Stewart may be the best Scrooge ever to sully the silver screen.) Sharon Lockwood is delightfully astounding as Mrs. Dilber, Scrooge’s housekeeper. She also has a cameo as the energetic Mrs. Fezziwig, wife of young Scrooge’s first employer.
The cast is universally excellent—we’d expect nothing less from ACT—with Jomar Tagatac as Bob Cratchit, Scrooge’s oppressed clerk, B Noel Thomas as the Ghost of Christmas Past, and Catherine Castellanos as the Ghost of Christmas Present. Brian Herndon shines as Fezziwig, and Dan Hiatt is a malevolent reminder of accumulated karma as the ghost of Scrooge’s departed partner Jacob Marley.
There’s a gaggle of charming children, and enough Londoners to fill the wide stage of the Toni Rembe theater—all of them in plausibly authentic 19th century costumes by Beaver Bauer.
Music by Karl Lundeberg (directed by Daniel Feyer) is wonderfully dynamic, and Val Caniparoli’s choreography is dazzling. John Arnone’s set design has been scaled back from previous elaborate productions but is still effectively versatile and immersive.
Those who have seen multiple productions of ACT’s A Christmas Carol may be slightly disappointed that this year’s offering doesn’t reach the astronomical heights of last year’s, but it’s nonetheless an immensely satisfying show.
This show is pretty much a requirement for those in need of high-quality holiday cheer, which is to say, all of us. Tickets for the final few performances are disappearing fast. Grab them while you can!
-30-
ASR NorCal Executive Editor Barry Willis is a member of the American Theatre Critics Association and president of the SF Bay Area Theatre Critics Circle. Contact him at barry.m.willis@gmail.com
| Production | A Christmas Carol |
|---|---|
| Written by | Charles Dickens - adapted by Carey Perloff and Paul Wals |
| Directed by Choreographed by | Peter J. Kuo Val Caniparoli |
| Producing Company | American Conservatory Theater (ACT) |
| Production Dates | Through Dec 24th |
| Production Address | Toni Rembe Theatre, 415 Geary Street, SF, CA |
| Website | www.act-sf.org |
| Telephone | (415) 749-2228 |
| Tickets | $15 – $167 |
| Reviewer Score | Max in each category is 5/5 |
| Overall | 4.75/5 |
| Performance | 4.75/5 |
| Script | 5/5 |
| Stagecraft | 4.75/5 |
| Aisle Seat Review PICK? | YES! |