Ross Valley Players has reopened their stage at the Barn with their first live production since the start of the pandemic, and it’s a delightful welcome indeed.
“Ripcord” is a female odd couple pairing with a sharper edge. David Lindsay-Abaire’s comedy showcases the talents of Tori Truss (Abby) and Pamela Hollings (Marilyn) as two seniors who share a room in a retirement community. The yin and yang between these two characters is a delight to watch, with snide facial gestures of Truss pitted against fluttery friendliness of Hollings.
Director Chloe Bronzan notes “The pandemic forced many into quarantine with a roommate we would have preferred to spend less time with…we are left pondering our basic need for human interaction.”
“The yin and yang between these two characters is a delight to watch.”
The main characters’ interaction in “Ripcord” is hilarious. Cranky Abby wants the room to herself, and does her darndest to get cheerful Marilyn to request a room transfer. Marilyn is undaunted, and considers Abby’s nastiness a challenge to win over. Besides, Marilyn loves the view and light from the room they share. She’s not about to move.
The women make a bet to settle their differences to decide who moves out. Enthusiastic and positive-thinking Marilyn believes she can find a way to make the stony and stoic Abby fearful. Abby is confident she’ll find something to make the effervescent Marilyn angry.
Abby and Marilyn try practical jokes – funny at first – which elevate to vicious one-upmanship. “Ripcord” reveals their schemes through amusing scene changes, including a haunted house and a sky-diving snatch, lending the parachute’s release to the play’s name. What on earth, or in the air, will these gals do next?
RVP Newcomer Bau Tran (Scotty) brings the perfect dash of spice and sensibility to the mix as the retirement home’s staff member struggling mightily to bring reasonableness to the women’s battle. He loses this one, but it’s an amusing effort.
A batch of sometimes silly supporting bits by Peter Warden, Rebekah Kouy-Ghadosh, and Nate Currier pepper the plot. Michael A. Berg adds the costumes to lend an over-the-top chaos to the madcap schemes.
Act II is more emotional, and less chaotic, as a hidden past helps put Abby’s negativity into perspective. This sideways subplot, with Currier in a serious role as Abby’s son, brings “Ripcord’s” free-falling comedy to an abrupt landing. But the bet’s still on between Abby and Marilyn.
The play’s resolution is likewise less than comedic, yet apparently satisfying to the opening night audience. Many commented “That was fun!” as they departed.
RVP is determined to make a safe place for their theatre’s reopening. Covid vaccinations are required for entry, and they sell only half of the theatre’s capacity so patrons can be seated far from one another. Sadly this spacing makes it more awkward to laugh aloud at a comedy.
When you go, enjoy Tom O’Brien’s colorful stage set of the senior’s apartment and the lobby which has been redone in red carpet grandeur. Allow time to marvel at the decades of framed show posters celebrating RVP’s 90 years of productions, many of which were hand-painted.
|Written by||David Lindsay-Abaire|
|Directed by||Chloe Bronzan|
|Producing Company||Ross Valley Players|
|Production Dates||Thursdays through Sundays until October 10th, 2021|
|Production Address||Ross Valley Players
30 Sir Francis Drake Blvd, Greenbrae, CA 94904
|Reviewer Score||Max in each category is 5/5|