ASR Theater ~~ “Geogia McBride” Amuses at CenterREP

By Barry Willis

Down on his luck, a scrappy Elvis impersonator reinvents himself as a drag queen at a Gulf Coast dive bar in The Legend of Georgia McBride, CenterREP’s November production.

A recurring Bay Area favorite, Georgia McBride pops up locally a couple times per year. The current production in Walnut Creek’s Margaret Lesher Theatre is as good as most such efforts, without reaching the uproarious heights of absurdity achieved by some.

 … “The Legend of Georgia McBride” is a good bet for a fun night out …

Set in Cleo’s, a sleazy joint in Panama City Beach, Florida, the show stars Joe Ayers as Casey, a good-natured part-time roofer by day and a not-so-successful Elvis impersonator by night. He’s just bounced the monthly rent check in favor of buying a new Las Vegas-style jumpsuit, an expenditure that dismays his wife Jo (Sundiata Ayinde), who can’t deal with a potential eviction on top of her newly discovered pregnancy.

Casey reassures her that he’s made a smart investment, one that will bring more customers into Cleo’s. It’s a pipe dream at best. As it sits, Casey isn’t earning enough at the bar to cover his 80-mile round-trip commute, and his high school pal Jason (Jed Parsario) — who’s also his landlord and sometimes employer — leans on him persistently to pay his bills. Furthermore, Cleo’s owner Eddie (Alan Coyne) has threatened to cancel his performances because they simply aren’t attracting paying customers.

Casey’s in a multi-pronged pinch, but to his rescue come two itinerant drag queens — Miss Tracy Mills (J.A. Valentine) and her bedraggled friend Rexy Nervosa (also Parsario). An equal opportunities employer for inebriants of all kinds, Rexy is too hammered to perform, but Tracy has enough practicality and good business sense to leverage an opportunity.

Against his will, and with Eddie’s grudging agreement, she converts Casey to “Georgia McBride.” Casey has an aw-shucks sort of embarrassment his first time onstage in a wig and dress, but slowly warms to the new role—especially when Cleo’s becomes the hottest nightspot on the beach. He’s then faced with hiding the new source of much-needed income from Jo, who harbors many doubts about what he’s doing, and when she discovers what it is, believes that he’s gone gay.

Trading one set of problems for another is always a great comedic setup, and this Georgia McBride doesn’t disappoint. Performances are very good in the sumptuous Lesher Theatre—especially the confident Valentine, the subtle Ayinde, and the outrageous Coyne. Ayers has a sort of innocent schoolboy charm, while Valentine is a take-charge veteran. The only Equity actor in the cast, Parsario encompasses everything from a beer-swilling redneck to a completely plastered flat-on-her-face drag queen. Stagecraft is more than adequate but not dazzling.

Interestingly, the music played in the many lip-synching scenes has been different in all the productions this reviewer has seen. Apparently, playwright Lopez didn’t instruct directors about that. Musical variations contribute much to keeping the show feeling fresh. On opening night, pacing and timing issues interfered with landing some of the humor, with which the script is deeply endowed. That’s an issue easily solved with a couple more performances. Sweet and endearing, The Legend of Georgia McBride is a good bet for a fun night out.

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ASR NorCal Executive Editor Barry Willis is a member of the American Theatre Critics Association and president of the SF Bay Area Theatre Critics Circle. Contact: [email protected].

 

Production	The Legend of Georgia McBride
Written by	Matthew Lopez
Directed by	Elizabeth Carter
Producing Company	Center Repertory Company
Production Dates	Thru Nov 26th
Production Address	Lesher Center for the Arts 1601 Civic Drive Walnut Creek CA 94596
Website	centerrep.org
Telephone	(925) 943-7469
Tickets	$45-$70
Reviewer Score	Max in each category is 5/5
Overall	3.5/5
Performance	3.5/5
Script	4/5
Stagecraft	3.5/5
Aisle Seat Review Pick?	-----