By Barry Willis
Despite at least one very dark plot element and an abrupt tragic ending, 42nd Street Moon’s musical “Fun Home” fills its 95 minutes with uplifting and delightful song-and-dance. At the Gateway Theatre on Jackson Street in the city’s financial district, the show closes its three-week run this Sunday, May 8.
A lesbian coming-of-age story derived from cartoonist Alison Bechdel’s autobiographical graphic novel, the show features the adult Alison (Rinobeth Apostol) in her studio, overseeing her past unfolding before her as she scribbles and scrawls—a theatrical replay of her creation of the novel. Scenic designer Mark Mendelson cleverly places her in a sort of god-like position where she can observe all that’s transpired to make her what she is. Apostol is a confident and compelling actor, onstage throughout the show, sometimes fully engaged with her castmates and sometimes merely a somewhat detached observer.
Central to the story is Alison’s sexual awakening, and her relationship with her father Bruce (Jason Vesely), an English teacher, home renovator, and funeral home director—quite an imposing set of skills—and a closeted gay man given to frequent flings that distress his wife Helen (Jennifer Boesing).
Grown Alison watches as her younger self, “Small Alison” (McKenna Rose) cavorts with her brothers John and Christian (Keenan Moran and Royal Mickens, respectively), and is especially attentive to “Medium Alison” (Teresa Attridge), the college-age version of herself who wonders about lesbianism before finally giving it a go with classmate Joan (Sophia Alawi).
The cast, stagecraft, lighting and sound are all very good….
New for this reviewer, Attridge is an astounding performer whose rendition of “Changing My Major” celebrates Alison’s embrace of her sexuality and her deep love affair with Joan. It’s the high point of the first act and quite possibly the high point of the entire production—a simply off-the-chart performance, among many that almost reach that level. Musical theater veteran Dave Dubrusky leads a small ensemble that perfectly backs the show’s many great songs, reinforced by Natalie Greene’s high-energy au courant choreography.
The cast, stagecraft, lighting and sound are all very good—a rare production with no glitches to grumble about. Directed by Tracy Ward, “Fun Home” is a solid bet for those seeking entertainment with a plausible modern through-line.
42nd Street Moon’s publicity hypes it as “a Bay Area regional premiere” but the show has played at least twice in the Bay Area, first at the Curran in January 2017 then again in October 2018 at TheatreWorks Silicon Valley. It’s a popular show. This one runs 95 minutes, no intermission. Expect a couple of other local productions within the coming year.
|Written by||Lisa Kron|
|Directed by||Tracy Ward|
|Producing Company||42nd Street Moon|
|Production Dates||Thru May 8th|
|Production Address||The Gateway Theatre
176 Jackson Street San Francisco, CA
|Tickets||$45 – $79|
|Reviewer Score||Max in each category is 5/5|
|Aisle Seat Review PICK?||Yes!|