An online advice columnist discovers that she is a wellspring of wisdom and empathy in “Tiny Beautiful Things” at SF Playhouse, through March 7.
Before each performance, Playhouse Artistic Director Bill English delivers a curtain speech in which he reiterates that his company envisions their theater as an “empathy gym” where performers and audience alike get to flex their emotional muscles. The speech couldn’t be more appropriate than it is for “Tiny Beautiful Things” developed by Nia Vardalos from the autobiographical book by Cheryl Strayed.
English directs Susi Damilano as “Sugar,” the initially reluctant advice columnist, and Mark Anderson Phillips, Kina Kantor, and Jomar Tagatac as Sugar’s various correspondents, who seek guidance on everything from the intricacies of love to matters of life and death. Sugar’s no Ph.D. psychologist but simply a woman of vast personal experience—far more vast than she first understands—who digs deep to deliver heartfelt consolation and hope to her readers, often delivered with gentle humor.
Damilano is confident and sly as Sugar, who goes repeatedly to her refrigerator for refills of white wine and emotional conviction. At first, amused by her work, she soon discovers that she’s dealing with serious issues, and rises to the challenge.
… a well-deserved standing ovation.
The play’s dramatic structure is a recitation of letters, each beginning with “Dear Sugar,” spoken and acted with palpable gravitas by Damilano’s three supporting actors. Part literary fugue and part call-and-response, the recitation continues in a rolling rhythm throughout the play’s 85 minutes, reaching a crescendo when Sugar incites her readers to find love in their hearts for everything that life throws at them.
It’s a beautiful moment, on a dreamscape of suspended metal poles (set design by Jacquelyn Scott) evocatively illuminated by lighting designer Michael Oesch. Unfortunately, its impact is diminished by an extended continuation of letters and responses, as if Vardalos couldn’t decide what to keep and what to cut. It’s a not-so-unusual theatrical circumstance of less-could-be-more with more careful editing.
Even so, “Tiny Beautiful Things” is a rare undertaking and within its limits, a sparkling gem. Author Cheryl Stayed was in the audience on opening night, and got a well-deserved standing ovation. The world could do well with more empathetic advisors like her and fewer snarky commentators.
ASR Executive Editor Barry Willis is a member of the American Theatre Critics Association and president of the San Francisco Bay Area Theatre Critics Circle. Contact: email@example.com
|Production||Tiny Beautiful Things|
|Written by||Adapted by Nia Vardalos from the book by Cheryl Strayed.
Co-conceived by Marshall Heyman, Thomas Kail and Nia Vardalos.
|Directed by||Bill English|
|Producing Company||SF Playhouse|
|Production Dates||Through March 7th|
|Production Address||SF Playhouse
450 Post Street
San Francisco, CA
|Tickets||$35 - $125|
|Reviewer Score||Max in each category is 5/5|
|Aisle Seat Review Pick?||YES!|