Jeffrey Sweet’s newest play is billed as a dark comedy, although it’s more drama than humor. This 90-minute peek at a couple’s relationship breaks theatre’s “fourth wall” repeatedly, interacting with the audience in San Rafael’s Belrose Theatre. This is the perfect cabaret-style venue for this show. Actors access the stage from the wings as well as the back of the house, using the center aisle to surprise the audience.
Bluff begins with two actors on the minimalist set speaking their lines with a recitation of the script’s directions. Just when you’re getting the hang of their unconventional interaction, this artifice is dropped. Someone on the street is being attacked. Neal grabs his baseball bat to the rescue. The victim is patched up. It’s NYC, so the unnamed dude (Alvin Josephs) departs without a “by your leave.”
Emily (Isabelle Grimm) and Neal (Will Livingston) are left to get acquainted, the millennials who helped defend the victim. Emily notes “It’s a good thing you’re not a tennis player, as a racquet wouldn’t make as good a weapon as your bat.”
This 90-minute peek at a couple’s relationship breaks theatre’s “fourth wall” repeatedly…
They couple up and discuss living together. The dialog is ordinary but intriguing to eavesdrop. This is a good thing as the plot isn’t much. Emily has an apartment, and Neal wisely observes “If I move in, it will be “your” place, not “our” place.”
Despite reservations, Emily and Neal cohabitate her apartment. More conversations. Emily phones her hospitalized mother (Tamara Chandler) on the West Coast who laughingly brushes off her daughter’s concerns about drinking and health.
Emily’s stepdad Gene arrives in town for a convention, and the tension between these two is immediate and unexplained. Gene (Cam Stuckey) seems affable enough, although it’s difficult to catch all his dialog. He’s a salesman and makes the effort to be sociable to Emily and her boyfriend, but Emily won’t move off her aggressive attitude. The guys bond.
A truth-telling moment occurs when Gene admits he’s been philandering. Emily realizes that Gene has been the only stabilizing force in her alcoholic mother’s life. Self-centered Emily isn’t the least bit grateful. She weighs her dismal options if she snitches on Gene. We never really see a likable side to Emily or learn what’s behind her unrelenting bitchiness.
Emily boots out her boyfriend.
Gene goes home.
And the play ends.
In spite of the unfinished feeling to Bluff, making it seem more like a sketch, there are some clever nuggets. The playwright demonstrates his skill with improv to make the lack of props amusing. Gene asks for a real glass in the bar scene, and the waiter crankily responds, “You’ve been using pretend phones, why can’t you use a pretend cocktail?”
The comedic high point of Bluff is the unnamed part played by Anya Cherniss. She appears briefly in the opening scene and reappears much later as a sultry temptress engaging Gene at a bar. When her lines indicate she should exit the stage, she instead begins ranting to the audience about her character’s qualities. She takes center stage to whine that she should have more lines to speak, as she is a very capable actor. Director Joey Hoeber steps up to command that she leave. Breaking that “fourth wall” brings the biggest laugh of the show.
Despite the shortage of character development or motivation, theatre is meant to be entertaining. Bluff certainly fits that description.
|Written by||Jeffrey Sweet|
|Directed by||Joey Hoeber & Dianne Harrison|
|Producing Company||Jolee Productions|
|Production Dates||Fridays & Saturdays at 7:30 PM, Saturdays at 2 PM through November 16th|
|Production Address||Belrose Theatre
1415 Fifth Avenue, San Rafael, CA
|Tickets||$25/advance, $27 at door|
|Reviewer Score||Max in each category is 5/5|
|Aisle Seat Review PICK?||-----|