ASR Theater Review! Lucky Penny Has a Winner for Everyone With “Hands on a Hardbody” – by Barry Willis

“Hands on a Hardbody” at Lucky Penny

Down-on-their-luck Texans test their endurance to win a new Nissan pickup truck in an auto dealer’s publicity stunt. This may not sound like a solid basis for an uplifting comedic musical, but it works beautifully in “Hands on a Hardbody,” at Lucky Penny Productions in Napa, through June 17.

A real-life situation that may have originated at Jack King’s Nissan dealership in Longview, Texas, in the early 1990s, the contest required competitors to keep at least one hand on the truck at all times, except for intermittent 15-minute breaks for water, food, and restroom visits—no lying down, and no sleeping. Losing contact with the truck meant disqualification from the competition—something easy to do as excitement, dehydration, fatigue, numbness, sleep deprivation, and hallucinations all take their toll. King’s dealership ran the contest annually for 13 years—one that was widely imitated throughout the country—and was the subject of a 1995 documentary film, which inspired the musical; book by Doug Wright, music by Trey Anastasio and Amanda Green, lyrics by Amanda Green.

With “Hands on a Hardbody,” Lucky Penny has a winner for everyone—cast, crew, and audience alike.

A gleaming red truck occupies center stage in Lucky Penny’s horseshoe-shaped arena, with assorted competitors surrounding it, sometimes marching around it and sometimes pushing it around. “If I Had This Truck” is one of the most heartfelt songs of wistful hope that’s ever been sung, and Staci Arriaga’s incredibly clever choreography has them adhere to the rules—one hand in contact at all times—although in a couple of instances they cheat by stepping into the truck’s bed for extended improvisations. The four-piece band under the direction of Craig Burdette is excellent, rocking the house from above stage right.

Director Taylor Bartolucci gets astoundingly great performances from her 15-member ensemble, one with no weak links. Standouts include Daniela Innocenti-Beem as Norma Valverde, a true-believer Christian certain that God intends her to have that truck, Brian Watson as Benny Perkins, a hard-core badass with a sad past; and Alex Gomez as Jesus Pena, who needs it to pay for veterinary school. Barry Martin is especially convincing as J.D. Drew, an easygoing good-ole-boy whose industrial accident has cost him his job and benefits. Shannon Rider is excellent as his exhausted but ever-supportive wife Ginny.

With “Hands on a Hardbody,” Lucky Penny has a winner for everyone—cast, crew, and audience alike. It’s a shame that it doesn’t run longer.

ASR Theater Section Editor and Sr. Contributor Barry Willis is a member of the American Theatre Critics Association and president of the San Francisco Bay Area Theatre Critics Circle.


“Hands on a Hardbody”

Through June 17: 7 p.m. Thursday; 8 p.m. Friday and Saturday; 2 p.m. Sunday

Lucky Penny Productions – 1758 Industrial Way   Community Arts Center, Napa

Tickets: $28 – $39 Info: 707-266-6305,

Rating: Four out of Five Stars

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